SERVICES

PRE-PRODUCTION SERVICES:

  • Concept Development
  • Research & Script Writing
  • Shoot Planning & Crew Management
  • Producing & Fund Raising
  • Crowdfunding Campaign Management

PRODUCTION SERVICES: 

  • Canon 5D Mark II & Canon EOS 7D DSLRs, Canon EOS 40D Still Camera, Panasonic HMC150 & HMC40 video cameras
  • Tascam DR-100 Digital Recorder, Sennheiser ME66 Shotgun Microphone, Sennheiser EW112-p G3 Wireless Microphone
  • Three-point lighting

POST-PRODUCTION SERVICES: 

  • Adobe Creative Suite 6:  Premiere, After Effects, Photoshop, InDesign and Illustrator.
  • Final Cut Pro Studio: Final Cut Pro 7, Soundtrack Pro, Compressor and DVD Studio Pro.
  • Workflow & Management, Ingesting and Logging.
  • Working knowledge of video and audio codecs and formats.

DELIVERABLES:

  • Print Materials: final versions in files dependent on distribution needs.
  • Publicity materials: Still images, press releases, synopses, profiles of main actors & crew, etc, as well as Posters and dvd sleeves designs (click here for samples).
  • Legal documentation: Paperwork required to prove that you have all the appropriate rights to make and distribute the film.

CV

FEATURE:

DOROTHEA LANGE: GRAB A HUNK OF LIGHTNING, Motion Graphics Designer, dir. Dyanna Taylor, Katahdin Productions, 2014.  Provided Motion Graphics by utilizing Photoshop and After Effects for a 120-minute documentary.

STILL DREAMING, Editorial Assistant, dir. Hank Rogerson & Jilann Spitzmiller, Philomath Films, LLC, 2014.  Provided editorial support for a 90-minute documentary shot on multiple formats and edited on AVID.

ZYDECO BREAKFAST, Producer, Camera Operator & Editor, dir. Tom Uhl, Zydeco Enterprises, LLC, 2012. A 120-minute documentary shot on multiple formats and edited on Final Cut Pro 7.

THE YOUNG ANCESTORS, DIT & Editor, dir. Aimée Barry Broustra, Camino Vérité Films, LLC, 2012. A 60-minute documentary shot on multiple formats and edited on Final Cut Pro 7.  

WILD HORSES AND RENEGADES, Co-Editor, dir. James Kleinert, Moving Cloud Productions, 2011. A 90-minute documentary shot on the Canon XH G1S and edited on Final Cut Pro 7.  

DOCUMENTARY:

WITHOUT A CHILD, Co-Producer & Consulting Editor, dir. Barbara Bentree, JindoJazz, 2015.  A thirty-minute documentary shot on the Canon 5D Mark II HDSLR and edited in Final Cut Pro X.

LESLIE HOLLAND:  PINK MOON, Editor, dir. Genevieve Russell, StoryPortrait Media, 2014.  A ten-minute documentary shot on the Canon 5D Mark II HDSLR and edited on Premiere CC.  Full video:  https://vimeo.com/101349605

HORSEBACK RIDE TO THE SOUL, Camera Operator & Editor, dir. Aimée Barry Broustra, Camino Vérité Films, LLC, 2014.  A 30-minute documentary shot on multiple formats and edited on Final Cut Pro 7.

A LOVER OF ROUNDED SHAPES, Videographer, dir. Ginger Gaffney, 2013.  Provided video production services utilizing the Canon 5D Mark III HSDLR.

MICHELE WORSTELL:  NILA BINDU, Editor, dir. Genevieve Russell, StoryPortrait Media, 2012.  A six-minute documentary shot on the Canon 5D Mark II HDSLR and edited on Final Cut Pro 7.   Full video:  https://vimeo.com/38586104

JAMEY STILLINGS:  THE BRIDGE AT HOOVER DAM, Camera Operator & Editor, dir. Genevieve Russell, StoryPortrait Media, 2011. A twelve-minute documentary shot on the Canon 5D Mark II HDSLR and edited on Final Cut Pro 7.  Full video:  https://vimeo.com/27195502

THE DINOSAUR MAN, Editor, dir. Robert Plunkett, Dinosaur, LLC, 2001.  A ten-minute short documentary shot on the Canon GL1 and edited on Final Cut Pro.

CHAMBERWORKS, Director & Editor, dir. Shelene Bridge, SurrealMontage, 1999. A 30-minute short documentary shot on Canon ES8000 and 16MM and edited on Media 100.

BEATS AND RHYTHMS, Director & Editor, 1997. A three-minute short documentary shot on JVC S-VHS GY-X2B and edited on Premiere.

NARRATIVE & EXPERIMENTAL:

RADIANCE OF THE DARK, Editor, dir. Genevieve Russell, StoryPortrait Media, 2015.  A 12-minute experimental film shot on the Canon 5D Mark II HDSLR & C100 and edited on Premiere CC 2014.  Full video:  https://vimeo.com/128912366

DRIVING FREE, Editor, “Life in New Mexico” Collaborative Media Project, 2014.  A three-minute experimental film shot on multiple formats and edited on Premiere CC.  Full video:  https://vimeo.com/122870520

THE GIFT, Editor, dir. Holly Adams, Transcending Films Productions, 2013.  A five-minute narrative shot on the Canon 7D and edited on Premiere CS6.

THE BOX, Writer, Producer & Editor, dir. Shelene Bridge, SPAC Productions, 2011.  A three-minute narrative shot on the Panasonic AG-HVX200A and edited on Final Cut Pro 7.  Full video:  https://www.youtube.com/watch?v=i_3Ec6GxuwM

DEBT TO SOCIETY, Consultant Editor, Laughing Cow Productions, 2011.  Provided Editing consultation for 20-minute narrative shot on the Canon 5D Mark II HDSLR and edited on Final Cut Pro 7.

TWO, Assistant Editor, dir. Sarah Loeppke, Two, LLC, 2010.  Gathered, logged and organized all shots and audio recordings for five-minute short narrative film shot on the Canon 5D Mark II HDSLR and edited on Final Cut Pro 7.

THE PUSH, Writer, Director, Co-Producer & Editor, dir. Shelene Bridge, SurrealMontage, 2010.  A 15-minute narrative shot on the Sony XDCAM EX1 and edited on Final Cut Pro 7.  Trailer:  https://www.youtube.com/watch?v=1voy-NJQiBs

SEEING THE UNIVERSE THROUGH THE TREES, Writer, Director & Editor, dir. Shelene Bridge, SurrealMontage, 2010. A three-minute experimental film shot on Canon GL1 and edited on Final Cut Pro 7.

ASSIMILATION, Writer, Director, Co-Producer & Editor, dir. Shelene Bridge, SurrealMontage, 2009. A 15-minute narrative shot on the Sony HVRA1U and edited on Final Cut Pro 7.  Trailer:  https://www.youtube.com/watch?v=fyJkutD8b8o

ID, Editor, dir. Robert Plunkett, Id, LLC, 2000. A five-minute short narrative shot on 35MM and edited on Final Cut Pro.

TELEVISION:

THE BRIEFCASE, Field Production Assistant, Season 1, Episode “Albuquerque/Miami”, April, 2015.  

THE BACHELOR, Office Production Assistant, Season 19, Episode 5, “Santa Fe”, October, 2014.  

BERT THE CONQUEROR, Production Assistant, Season 2, Episode 9, “New Mexico”, February, 2011. 

COMMERCIAL & CORPORATE:

EQUUS, Cinematographer, Motion Graphics Designer and Editor, dir. Shelene Bridge, SurrealMontage, LLC, 2015.  A five-minute web promotional video shot on the Canon 5D Mark II HDSLR and edited on Premiere CC 2014.

NEW MEXICO FILM FOUNDATION, Editor, dir. Bradd Hopkins, NMWIF & NMFF, 2015.  A 30-second PSA shot on the Canon 5D Mark III HDSLR and edited on Premiere CC 2014.  Full video:  https://www.youtube.com/watch?v=4qO3bZhNxog

HEATHER ROBERTSON: BODY OF BUSINESS, Editor, dir. Genevieve Russell, StoryPortrait Media, 2015.  Two-minute and four-minute web promotional videos shot on the Canon  5D Mark III HDSLR and C100 and edited on Premiere CC 2014.   Full video:  https://vimeo.com/125393995

MILK+HONEY, Motion Graphics Designer & Editor, dir. Genevieve Russell, StoryPortrait Media, 2014.  A three-minute web video & 45-second commercial shot on the Canon 5D Mark II HDSLR and edited on Premiere CC.  Full 45-second commercial:  https://vimeo.com/107757299  & Full three-minute video:  https://vimeo.com/107755415

THE GLOBAL WARMING EXPRESS, Motion Graphics Designer & Editor, dir. Genevieve Russell, StoryPortrait Media, 2014.  A 60-second commercial shot on the Canon 5D Mark II HDSLR & Canon C300 and edited on Premiere CC.  Full video:  https://vimeo.com/110723960

GALISTEO BASIN PRESERVE, Editor, dir. Genevieve Russell, StoryPortrait Media, 2014.  Two three-minute web videos shot on the Canon 5D Mark II HDSLR and edited on Premiere CC.  Full video:  https://vimeo.com/104524320

CENTER FOR CONTEMPORARY ARTS, Director & Editor, dir. Shelene Bridge, SurrealMontage, 2014.  60-second promotional video shot on the Canon 5D Mark II HDSLR and edited on Premiere CC.

FRESC, Second Camera Operator & Editor, dir. Genevieve Russell, StoryPortrait Media, 2014.  A seven-minute web video shot on the Canon 5D Mark II HDSLR and edited on Premiere CC.  Full video:  https://vimeo.com/89584230

STORY PORTRAIT MEDIA, Motion Graphics Designer, dir. Genevieve Russell, Story Portrait Media, 2013. A 15-second motion graphic animation completed in After Effects.

CAMINO VERITE FILMS, Motion Graphics Designer, dir. Aimée Barry Broustra, Camino Vérité Films, LLC, 2013. A 15-second motion graphic animation completed in After Effects.

YOUTH SHELTERS, Editor, dir. Genevieve Russell, StoryPortrait Media, 2013-2014.  Two eight-minute web promotional videos shot on the Canon 5D Mark II HDSLR and edited on Final Cut Pro 7 and Premiere CC.  Full video 2014:  https://vimeo.com/107757540 & Full video 2013:  https://vimeo.com/70895887

OUR LADY OF THE MISSISSIPPI ABBEY, Editor, dir. Dyanna Taylor, Raven Rouge, Inc., 2013.  Four six-minute web promotional videos shot on the Sony EX3 and edited on Premiere CC and Final Cut Pro 7.  Full videos:  http://www.mississippiabbey.org/Videos

VERVE GALLERY OF PHOTOGRAPHY, Camera Operator & Editor, dir. Genevieve Russell, StoryPortrait Media, 2012-2015.  15 ten-minute artist profiles shot on the Canon 5D Mark II HDSLR and edited on Premiere CC 2014and Final Cut Pro 7.  Full video Ysabel LeMay:  https://vimeo.com/106553049

RED MOUNTAIN PRESS, Director & Editor, dir. Shelene Bridge, SurrealMontage, LLC, 2011.  Provided production and editing services for an author’s reading and created four five-minute web videos shot on the Panasonic AG-HVX200A and edited on Final Cut Pro 7.

PPC SOLAR, Editor, dir. James Kleinert, Moving Cloud Productions, 2011.  A 90-second commercial shot on the Canon XH G1S and edited on Final Cut Pro 7.

PHOENIX ART MUSEUM, Camera Operator & Editor, dir. Genevieve Russell, StoryPortrait Media, 2011. A 60-second commercial shot on the Canon 5D Mark II HDSLR and edited on Final Cut Pro 7.

SOUTHWEST SPANISH CRAFTSMEN, Editor, dir. Genevieve Russell, StoryPortrait Media, 2011.  A seven-minute web profile shot on the Canon 5D Mark II HDSLR and edited on Final Cut Pro 7.

SANTA FE WALDORF, Camera Operator, Boom Operator, Sound Recordist & Editor, dir. Genevieve Russell, StoryPortrait Media, 2011 & 2014.  A 15-minute and three-minute promotional videos shot on the Canon 5D Mark II HDSLR and edited on Final Cut Pro 7.  Full video 2014:  https://vimeo.com/100411054 & Full video 2011:  https://vimeo.com/29958667

DOCUMENTORS, Editor, dir. Hank Rogerson, Documentors, LLC, 2010-2012.  Four five-minute web training videos Canon 5D Mark II HDSLR and edited on Final Cut Pro 7.

INCUBOX, Editor, dir. Geoff Towle, Incubox, 2010-2011.  Provided Editing services for eight Gavin DeBecker & Associates training videos.

INNOVATE+EDUCATE, Director & Editor, dir. Shelene Bridge, SurrealMontage, LLC, 2010.  Provided production and editing services for corporate event video and created four five-minute web videos shot on the Canon 5D Mark II HDSLR and edited on Final Cut Pro 7.

EASTER SEALS EL MIRADOR, Camera Operator & Editor, dir. Genevieve Russell, StoryPortrait Media, 2010.  Four five-minute promotional videos shot on the Canon 5D Mark II HDSLR and edited on Final Cut Pro 7.  Full video:  https://vimeo.com/12022704

SS10: WRKROOM, Editor, dir. Shelene Bridge, SurrealMontage, 2009.  A five-minute promotional video shot on multiple formats and edited on Final Cut Pro 7.

HUGHES ELECTRIC, dir. Shelene Bridge, Hughes Electric, 1998. A two-hour video documentation to archive conditions at the Santa Fe Jail construction site shot on Super VHS.

AWARDS:

2015    Best Documentary for THE YOUNG ANCESTORS, New Mexico Women in Film Fiesta 2015.

2015    Best Documentary for A HORSEBACK RIDE TO THE SOUL, New Mexico Filmmaker’s Showcase 2015.

2014    Official Selection for THE YOUNG ANCESTORS, Pueblo Film Festival 2014.

2014    Official Selection for A HORSEBACK RIDE TO THE SOUL, Santa Fe Independent Film Festival 2014.

2014    Official Selection & Nomination for Best Short Documentary for A HORSEBACK RIDE TO THE SOUL, Long Beach Indie International Film Festival 2014.

2014    Official Selection for A HORSEBACK RIDE TO THE SOUL, Albuquerque Film and Media Experience 2014.

2012    Official Selection for THE YOUNG ANCESTORS, Santa Fe Film Festival 2012.

2012    Official Selection for THE YOUNG ANCESTORS, Dakotah Film Festival 2012.

2012    Official Selection for THE YOUNG ANCESTORS, American Indian Film Festival 2012.

2012    Official Selection & Nomination for Best Documentary for THE YOUNG ANCESTORS, White Sands International Film Festival 2012.

2011     Documentary Audience & Best Documentary Feature Awards for WILD HORSES AND RENEGADES, ITN Film Festival 2011.

2011     Official Selection for WILD HORSES AND RENEGADES, Denver Starz Film Festival 2011.

2011     Official Selection for WILD HORSES AND RENEGADES, Napa Valley Film Festival 2011.

2011     Official Selection for WILD HORSES AND RENEGADES, American Indian Film Festival 2011.

2011     Official Selection for WILD HORSES AND RENEGADES, Santa Fe Film Festival 2011.

2011     Official Selection for SEEING THE UNIVERSE, Santa Fe Independent Film Festival 2011.

2011    Official Selection for WILD HORSES AND RENEGADES, Albuquerque Film Festival 2011.

2011     Honorable Mention Award for Best Investigative Reporting for WILD HORSES & RENEGADES, International Wildlife Film Festival 2011.

2010    Official Selection for ASSIMILATION, ShockerFest International Film Festival 2010.

2009    Winner Best Student Film for ASSIMILATION, Santa Fe Independent Film Festival 2009.

1997     Official Selection for BEATS AND RHYTHMS, Suckerpunch Film Festival, 1997.

SYSTEMS & SKILLS:

PRODUCTION:  Canon 5D Mark II & Canon EOS 7D DSLRs, Canon EOS 40D Still Camera, Panasonic HMC150 & HMC40 video cameras, Tascam DR-100 Digital Recorder, Sennheiser ME66 Shotgun Microphone, Sennheiser EW112-p G3 Wireless Microphone and three-point lighting.

POST PRODUCTION:  Working knowledge of Adobe Creative Cloud (Premiere, After Effects, Photoshop, InDesign and Illustrator), Final Cut Pro Studio (Final Cut Pro 7, Soundtrack Pro, Compressor and DVD Studio Pro), Workflow & Management, Logging & Ingesting, Working knowledge of video and audio codecs and formats.

GENERAL SKILLS:  Strong computer skills on both Mac and PC platforms and proficient in all Microsoft Office programs.  Excellent leader and motivator able to work independently, as well as an invaluable team member.  Proven ability to work on several projects simultaneously and under tight schedules.  Able to exchange information in a clear understandable manner, either verbally or in writing.

TEACHING EXPERIENCE:

SANTA FE UNIVERSITY OF ART AND DESIGN, Adjunct Faculty: Dimensions in Creativity, 2011 to 2012. Taught introductory production and post-production freshman class.

SANTA FE COMMUNITY COLLEGE, Adjunct Faculty: Digital Editing 1, Spring, 2011.  Taught introductory digital editing class.

SANDIA PERFORMING ARTS COMPANY, Film Production Teacher, Fall, 2011.  Taught an after-school Film Program for middle school students, which encompassed development, production and post-production.

ORGANIZATIONS & AFFILIATIONS:

NEW MEXICO WOMEN IN FILM, Vice President, Website Chair & PR/Marketing Co-Chair

WOMEN IN FILM & TELEVISION INTERNATIONAL

NEW MEXICO POST ALLIANCE

EDUCATION & TRAINING:

General Safety Training for the Film Industry, IATSE 480, 2010

COLLEGE OF SANTA FE, Santa Fe, New Mexico, B.A., Moving Image Arts, 2001

SAN DIEGO STATE UNIVERSITY, San Diego, California, B.A., Art, 1993